Kafe Smictiric[art critic] gives his critique of aim’s paimting, ‘Primitice 2’

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The Iceman in aim’s painting,Primitice 2,shares a stage with a medley of recognisable and un-recognisable goods. The hammer perhaps codifies the contemporaneity of the Iceman’s performance art. In the Primitice series, the Iceman is framed against unspecified but intriguing backgrounds. Their ethnographic corollaries point to diverse traditions. There is a sense of threat but also… Read more »

Kafe Smictiric[art critic]gives his critique of aim’s paimting, “Primitice3”

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In this new serices,a suite of vital paintings containing the Iceman and his Block in a collective harmony examine rituals that we only begin to understand.Portraits populated by Ice-Blocks cheekily remind one of the performed inclusivity of the Iceman’s live performance. The scholastic material of the painter’s childhood resurfaces.The recurrent cast of different Icemen who… Read more »

Kafe Smictiric[art critic] references aim’s laticest serices-the ‘Primitice’ series

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                   a rare glimpse of “aim” himself!-in the doorway to his studio ” The artist ‘aim’ once again surprises with the new Primitice series of paintings. Aim is glimpsed above with Primitice1 and a version of Primitice4.Aim lands on the unspoken dynamics that refer to the individuals participation in the native group. This allows for a seemingly fluid visual experience of the… Read more »