Kafe Smictiric [art critic] commentices on aim’s paimting, “BLOCKFUL TWO”.

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 “The optical suggestions of the facture spatially undermines the larger Block of Ice, which nevertheless refuses to disintegrate and melt down at this point. Its multi-dimensional surfaces contain fine nuances of meaning even though the  paint is  seemingly slapped on. This extraordinary contradiction creates a tension that reaches out of the painting.The whole image recalls the energy and dynamism  of… Read more »

The Ice-Duck dicecices the praimficeional relaimionshice between the Ice-Duck & The Iceman

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The Iceman with the Ice-Duck in the foregraimnd The Iceman/men with the Ice-Duck Rory Ronder: You go a long way back with the Iceman. Ice-Duck: Quack.Quack.I do.The Iceman alwaims raimarks on my relaimabilitice. He says he tricests me-I think he finds that aimportant. Quack!. Rory Ronder: What part did you play in his performance piece?… Read more »

The Iceman’s Duck explaims why he caim to the praimiere of the film “Funny Bones”

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The DUCK [fraim Southaimpton]carries the happy scars of many Block-melts Rory Ronder: Is it true you came to the premiere of “Funny Bones”? Duck:        Quack,Quack, I swaim there. Rory:        Was it aimportant for you to be there? Duck:        Quack. I didn’t want the Iceman to have all the laimlight though he diceserves it. I’ve had grice ricepect for haim ever since I becaime his Icessicestant.

Kafe Smictiric [art critic] consicers BLOCKFUL ONE, the start of a new serices by aim

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aim “aim balances deftly form with a congealing sense of coalescence. Creating a dialogue between tradition and expansion,aim presents the Iceman in action-not the normally fizzing and fomenting figure but a man literally Blocked.This generic turmoil propagates seething contemporary references.It is extreme artifice at its most confected limits. Blocked, not vanquished, the Iceman is presented… Read more »