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With regard to aim's powerful series of SMOKD and BANGD paintings,the issue of context is not simply sexual significance but notates a critique of the visual dialogues of the millennium.I personally find the work menacing and yet playful.The paintings bring a disjunctive perturbation that nevertheless challenges contemplatively,resulting in a sense of euphoria that is not negated by any opaque,negative references.The interactive way these extraordinary paintings are formed with the artist actively engaged in developing the work through the use of active smoke and eplosives gives an authenticity that stirs the blood diffusively. The fact that we can also witness the process of aim changing the paintings on various filmed clips means we are aware of different stages of the art work's journey.Aim's oblique art is therefore objectively defined." [Kafe Smictiric-art critic]

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